Saturday, January 31, 2009

Erasmus#27 what might a picture hide?


Oxford Circus, during the night. A leftover of a remenbrance, half nitid half blured, of all these nights we've been into lately -and why we, not I? -. Rushdie's novel is right, the sensation of transformation pervades me and I can't decide where am I, who am I. Hybrid confusion of senses, sensations, beliefs, references, unbearable sinestesia.
What should I do, when I can't even define what "I" means?
Oxford Circus, when? Who? In what circumstances?

Sunday, January 25, 2009

Erasmus#26 El Nuevo Mundo Descubierto por Cristóbal Colón

"Una secreta deidad,
a que lo intente me impele,
diciéndome que es verdad,
que en fin que duerma o que vele
persigue mi voluntad.
¿Qué es esto que ha entrado en mí,
quién me lleva o mueve ansí?
¿Dónde voy, dónde camino,
qué derrota, qué destino
sigo o me conduce aquí?"

Lope de Vega

Wednesday, January 21, 2009

(agora que) Já não te esgotas mais

E nem a Terra se abriu,
Nem o Sol deixou de brilhar,
Nem o mundo teve sinais de se acabar...

Thursday, January 15, 2009

Eramus#25 and suddenly, randomly ...

'All the world's a stage,
And all the men and women merely players:
They have their exits and their entrances;
His acts being seven ages. At first the infant,
Muling and puking in the nurse's arms.
And then the whining school boy, with his stachel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woefull ballad
Made to his mistress eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The Sixth age shifts,
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world to wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion
Sans teeth, sans eyes, sans taste, sans everything.'

William Shakespeare, As You Like It

Tuesday, January 13, 2009

Erasmus#24 divergent point of view (interesting one though)

"Then the thought occured to him that he had been taught an important lesson. England was a peculiar-tasty smoked fish full of spikes and bones, and nobody would ever tell him how to eat it. He discovered that he was a bloody-minded person. 'I'll show them all,' he swore 'You see if I don't.' The eaten kipper was the first victory, the first step in the conquest of England.
William the Conqueror, it is said, began by eating a mouthful of English sand."

Salman Rushdie, The Satanic Verses

Eramus#23 notebook (assumidamente!)

'Sonhava de olhos abertos. Mais do que abertos: acesos.'
Couto, Mia, Cada Homem é uma Raça, 10ª ed. (Mirandela: Editorial Caminho, 2008)

Monday, January 12, 2009

Erasmus#22 Guess what?

THEATRE!!!

Course outline:
Sessions 1 - 3: Realism
Sessions 4 & 5: Epic Theatre
Sessions 6 - 8: Theatre of the Absurd
Sessions 9 & 10: Contemporary Text
Sessions 11 - 17: Sustained rehearsal work on scenes from one modern tex

texts previously used:
Realism: A Taste of Honey, Look Back in Anger
Epic Theatre: Mother Courage; Oh, What a Lovely War
Theatre of the Absurd: The Chairs; A kind of Alaska; Waiting for Godot; Zoo Story
Contemporary Text: 4.48 Psychosis; Babies; The Goat or who is Sylvia
Modern: The Memory of Water; Sexual Perversity in Chicago

Tutor: James Palm (actor for a lot of years, professor at CSSD in the last 10 years, preparing a PhD proposal on what is actually to embody a character based on theoretical texts and documents and real practice and observation)

at Central School of Speach and Drama

I'm thrilled!!!

Friday, January 09, 2009

Erasmus#22 Back to London

O sol brilha, mas faz frio.

quando, a qualquer momento, parte de mim se pode eclipsar no absurdo abismo desse 'pais desconhecido de cujas fronteiras nenhum viajante regressa'. Que pensar?